2017

Installationview Look at me and see what I could not (yet) see Bonnefanntenmuseum Maastricht, NL

8mm film, 8mm film editor, aquarium, water, metal, wood, lacquer

2016

Installationview Oscillate me widely The Whiskey Bond Glasgow, UK

8mm Film, limestone, projector, frosted acrylic sheet, metal, wood

2016

Installationview Going Public Tontine Building Glasgow, UK

Stones, radios, fieldrecordings (done around HMNB Fasland, Scotland), FM transmitter, wood

2016

Transparent Cassettes, Cassette Loops, Dust, Wood, Cassette Recorder

Tape 1 contains a recording of a lamp in an abandoned city archive in Glasgow, filled with dust from the place.

Tape 1 was recorded back on Tape 2, filled with dust.

Tape 2 was recorded back on Tape 3, filled with dust.

...

Tape 30 had only the crackling of dust left.

2015

Chewing Gum, Dust, Oxidized Metals

2014

in collaboration with Maarten Davidse

Installationview New Now Festival Amsterdam, NL and In the end nothing matters but until then some things do De Steurs Maastricht, NL

In a one on one session, a text written with the consultation of hypnotherapist and writer Erik Willems, is read to the viewer. The text draws a circle on a holistic worldview: Beginning by a drop of sweat in the very room, the story goes all the way back to the world´s oceans at the beginning of the evolution on earth. While falling in a trance-like state with closed eyes, the listener becomes the producer of sweat. At the same time this essence is extracted through a moisture absorber and then collected in little bottles in a vitrine open on the outside of the glasshouse.

2014

Installationview Rumour has it Marres Maastricht, NL

Fingertip of Sand, Glass display, 35mm Slide Projector, Microscopic Images of indivial grains of Sand

2014

Installationview In the end nothing matters but until then some things do De Steurs Maastricht, NL

Grinded wallpaint, binder

2014

Installationview In the end nothing matters but until then some things do De Steurs Maastricht, NL

The dirt under a guitar players finger nails was collected for 6 months.

The collected material was casted into a guitar pick.

The guitar pick was used to play a single chord on a guitar.

The playback speed of a tape-recorder was slowed down so much that the chord would last 6 months.

The sound was played back into a room. A person was holding the guitar pick.

2014

Installationview In the end nothing matters but until then some things do De Steurs Maastricht, NL

Dust collected from 5 different places, one layer applied each day

2014

in collaboration with Karina van Leengoed

Installationview As in other words Kunstpodium T Tilburg, NL

Grinded wall paint, Egg tempera